Noel Wellington Discusses the Myola Artwork Proposal
Noel Wellington chatted with me about the proposed Myola installation while he worked on his current project at St Georges Basin Public School. It was a fitting venue to be having these discussions for many reasons. We sat on the seats that create the circumference of the ‘Yarning Circle’, within the school’s Aboriginal garden. Surrounded by bush tucker plants, local to the area. The three metre tree stump he is carving fronts this garden and is visible to the surrounding community and all who pass by. Also, what made this place more pertinent was the fact that we were on school grounds and the NSW Department of Education’s policy states, ‘The strength, diversity, ownership and richness of Aboriginal cultures and Custodianship of Country are respected, valued and promoted.’ This is what we teach our children.
Noel is a traditional descendant of the Jerrinja Wandi-Wandian Clan. He is also a Board Member of the Jerrinja Local Aboriginal Land Council. In addition, he is member of the Aboriginal Advisory Committee for Shoalhaven City Council. He is an Elder and a renowned artist.
The Callala Beach Progress Association envisioned that the final ‘gateway’ piece for the pathway, which links the Callala Beach and Myola communities, would incorporate Indigenous art. The brief was that it should promote thought about the first people of the land on which we now live.
Noel’s interpretation comprises of three carved logs reflecting traditional tree scarring practices in an Aboriginal contemporary art form. His sketches for these poles depict aquatic life, a canoe and an artistic spiritual figure. Noel has proposed that a steel ‘river’ structure be attached to the top of the poles to represent the Currambene Creek which will actually collect and carry rain water. He has discussed this idea with Neil Smith who designed the steel frameworks for the mosaic sails. Noel has also had discussions with Lesley Oliver (Mosaic Artist) in the hope that mosaics are also incorporated into the final design because he feels this would unify the whole project. Noel himself has experimented in this medium.
Kinship and culture form the backbone of Aboriginal communities. Noel talked about his strong spiritual connection to his family.
He said, ‘My ancestral history comes from the Carpenter family at Roseby Park Mission in Orient Point.’
Noel has many fond memories of his life growing up in this area. These images are often represented throughout his artworks.
‘My grandfather is David Coomie-Carpenter. He was recorded by the Aboriginal Institute of Archives in Canberra. This recording took place at Myola in 1964.’ Noel explained. ‘My grandfather described to them how his father made a canoe to carry people across the river.’
Coomie’s Walk at Abraham’s Bosom, Currarong, is named after Noel’s grandfather.
Noel said, ‘The Aboriginal Spiritual Man represents my grandfather’s strong connection to country.’
Land and sea, spirit and pride, are integral features of Aboriginal life and culture. Connection to country is spiritual, physical, social and cultural. The Callala Beach and Myola communities have an opportunity for a Jerrinja artist to create an artwork that will encourage reflection and promote a deeper understanding of Aboriginal culture.
To conclude our interview, Noel said, ‘This is my country. This is my story.’